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Fine Art Catalogue › Behind The Bricks

Behind The Bricks

US$165.00
  • The Narrative

    What stories do these silent walls hold? Whether once a family home or a sacred church, this abandoned structure now stands in a heavy, ghostly silence. Its large wooden windows are tightly closed, their colors faded by the passage of time. Yet, amidst the decay, the elongated shape of the brick walls draws a sharp, upward perspective—a defiant architectural stand that suggests a lingering sense of hope.

    The Technique

    • Method: Image transfer onto a metallic i-Bond sheet with heavy, sculptural acrylic coats.

    • Color Palette: A grounded earth-tone map of ochre, sienna, and deep browns. Cream and white highlights are applied to catch the light on the brick edges, while hand-applied blacks and browns mimic the faded patina of time.

    • The Feel: This piece feels structural and rhythmic. The metallic base provides a steady, industrial glow that contrasts with the organic, matte textures of the hand-painted grass and weathered brick.

    Materiality: Beyond the Paper

    While a traditional photograph lives on paper, Behind the Bricks is an exploration of architectural weight. The metallic i-Bond sheet provides a rigid, permanent foundation that echoes the strength of the original walls. As light moves across the room, it catches the sculpted ridges of the individual bricks, making the perspective "pull" the viewer’s eye upward, just as the artist intended.

    The Artist’s Hand

    This is not a digital reproduction; it is a physical reconstruction. Grace Remondo has used her fingers to apply deep browns and blacks, literally "weathering" the image to reflect the passage of time. By building up heavy coats of acrylic, she has transformed a flat photograph of a wall into a tactile, three-dimensional surface. This manual intervention bridges the gap between the "huge silence" of the past and the physical "hope" of the present.

  • The Narrative

    What stories do these silent walls hold? Whether once a family home or a sacred church, this abandoned structure now stands in a heavy, ghostly silence. Its large wooden windows are tightly closed, their colors faded by the passage of time. Yet, amidst the decay, the elongated shape of the brick walls draws a sharp, upward perspective—a defiant architectural stand that suggests a lingering sense of hope.

    The Technique

    • Method: Image transfer onto a metallic i-Bond sheet with heavy, sculptural acrylic coats.

    • Color Palette: A grounded earth-tone map of ochre, sienna, and deep browns. Cream and white highlights are applied to catch the light on the brick edges, while hand-applied blacks and browns mimic the faded patina of time.

    • The Feel: This piece feels structural and rhythmic. The metallic base provides a steady, industrial glow that contrasts with the organic, matte textures of the hand-painted grass and weathered brick.

    Materiality: Beyond the Paper

    While a traditional photograph lives on paper, Behind the Bricks is an exploration of architectural weight. The metallic i-Bond sheet provides a rigid, permanent foundation that echoes the strength of the original walls. As light moves across the room, it catches the sculpted ridges of the individual bricks, making the perspective "pull" the viewer’s eye upward, just as the artist intended.

    The Artist’s Hand

    This is not a digital reproduction; it is a physical reconstruction. Grace Remondo has used her fingers to apply deep browns and blacks, literally "weathering" the image to reflect the passage of time. By building up heavy coats of acrylic, she has transformed a flat photograph of a wall into a tactile, three-dimensional surface. This manual intervention bridges the gap between the "huge silence" of the past and the physical "hope" of the present.

Professional Portfolio & CV

Section 1: Current & International

  • 2026 | International Exhibition: Germany

    • Curated by Lena Snow, Goddess Arts Gallery

    • Displaying selected works from the "Divine Series" for a global audience.

  • 2026 | Publication: Art of Hearts

    • Featured Photographer in the Collective Portrait Publication

    • A premium print collection celebrating portraiture and human emotion.

Section 2: Past Solo & Group Exhibitions

  • 2024 | Solo Exhibition: "The Story I’ll Tell..."

    • Art Gallery at the Central Library, Cape Town

    • A body of work addressing menstruation, period poverty, and depression through visual communication.

  • 2024 | Group Exhibition: "Exhibition of Hope."

    • Stellenbosch, South Africa

    • A curated showcase of hope and resilience in local communities.

  • 2024 | Educator, Conceptual Photography Workshop, Cape Town.

Visit Godessarts Gallery Room

I am honored to share that my work has been officially selected for the upcoming Arts to Hearts collective photobook. While the final publication is currently in production for 2026, this selection marks a beautiful step in sharing my Kintsugi-inspired portraiture with a global audience. Stay tuned for the official launch dates.

Philanthropy & Community Mentorship

Empowering the Next Generation of Artists

The Bloubergrant High School Legacy Project (2024 – Present) > Grace serves as a Mentor for the Bloubergrant High School Photography Club. This residency program goes beyond technical skills, teaching students from the Conceptualization of an idea to the Process of Creativity throughout Art Photography.

The 2026 Vision: > Our goal is to empower students to transition from "taking photos" to "creating a corpus of work." By teaching them sponsorship and marketing skills, the program aims to help the club become self-sustaining, ensuring that every student has access to the equipment they need to tell their story.

“We aren't just building photographers; we are building visual storytellers and future entrepreneurs.”

DPhotImages

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Location

83, Briza Road Bloubergstrand

7441 Cape Town / South Africa

Contact

info.dphotimages@gmail.com
(+27) 749 287 445